I currently have seven different body shapes available, of which five are for classical or flamenco, the remaining two, models 15 & 16, are custom builds that lend themselves to other playing styles.
Model 08 - a small-bodied shape based on Torres F.E.13. It can be used for Torres copies or with other bracing designs, X-brace for instance.
Model 12 - my standard full-size shape for classical, flamenco or crossover guitars. Any of my bracing systems can be employed in it. This plantilla evolved from an earlier design (model 04 originally) which was inspired by a 1932 Domingo Esteso guitar.
Model 13 - basically a slightly larger version of 12.
Model 14 - this one is a copy of a 1929 Santos-Hernandez flamenco guitar, which I restored some years ago. I greatly admire the work of Santos-Hernandez since seeing a number of his guitars, which were (are) remarkable. No surprise that I use this for flamenco guitars, although there is no reason why it can't be used for classicals too.
Model 17 - this is a new 2015 model - a copy of a 1940 Hermann Hauser I that Julian Bream played for many years, on which I did some restoration work before he returned it to its owners, the Augustine family in New York, where it now resides in the Metropolitan Museum.
Model 15 - this was designed for a custom guitar using my client's steel-string guitar shape as inspiration. Nice for an X-brace nylon finger-picking guitar.
Model 16 - this very curvy, small-bodied C19th shape was used for another custom build - a nylon 12-string!
See bracing design pages:
Brief history of the different models
For my first guitar in 1993 I made a 1943 Hermann Hauser body shape using a borrowed mould.
My second was a rough copy of Torres small-bodied guitar, and my third was a shape of my own design under the influence of Torres and Hauser. As time went on my design evolved through models 4, 5, 6, and 7 inspired by a 1932 guitar of Domingo Esteso.
The plantillas of model numbers 08 and 10 are copies of two very different Torres' guitars, one from each of his two building epochs. Model 08 replaced my first small-bodied Torres shape used in my 2nd guitar and is of similar dimensions, based on F.E.13, a small and elegant guitar which Torres made in 1860. Apparently Miguel Llobet may have owned this guitar, but later it was owned by Hauser I who used the pattern for his own instruments. Model 10 is based on a guitar from Torres' second building epoch, S.E.83 built in 1885. This was an eleven-string guitar with a much larger and more robust shape compared to Torres' first building epoch guitars, although still small by today's standards.This Torres S.E.83 model 10 was a bit betwixt and between in terms of size and later I abandoned it. However, I continue to use the F.E.13 model 08 shape whenever a genuinely small-bodied guitar is called for.
Meanwhile, model 7 evolved into models 12 and 13 as my standard concert size guitars, which I still use today.
I added a Santos-Hernandez shape, model 14, which is a copy of the 1929 guitar which I restored, and used it for a flamenco guitar.
More recently model 15 came along in response to a customer's wishes - it derives from a steel-string guitar shape that my client liked, and it has that look - a shorter body and a fuller lower bout. It is a crossover design, well-suited to the X-brace pattern.
Model 16 is a very small body shape inspired by a 19th century spanish guitar of unknown make. It was used for a one-off 12-string design - a fusion of renaissance and nineteenth century design. I used my Long-Bar pattern in this one.
In 2015 I made a copy of the 1940 Hauser I, which I restored for Julian Bream prior to its return to the Augustine family. This is my model 17. It made a very beautiful instrument that has exceeded my expectations - I sold it immediately and started building another one straight away. As a result I will be offering the Hauser I/Bream 1940 model as a permanent fixture.